George Chapman
Home Paintings Writing Exhibitions About Contact
About Contact
Home Paintings Writing Exhibitions About Contact

Mohammed Sami: The Banality of Time

28 July 2023

A review of Mohammed Sami's recent solo exhibition The Point 0 at Camden Art Centre, where Sami's depictions of empty spaces and haunted memories create a strong sense of the uncanny.

Sick of goodby's

2 December 2022

Loss and grief through the eyes of Nick Cave and Robert Frank, and the relentlessness of moving on.

Nothing Out There

18 February 2022

Nostalgia, non-places, being haunted by memories of your hometown.

Not Everyone Can Practice

21 January 2022

Mark Fisher, why art and commerce still don't mix (even in today's hustle culture), and the difficulties of being an artist in London.

If In Doubt

7 January 2022

What happens when you doubt yourself in the studio, and finding a way to deal with periods of creative sterility.

Interview with Ollie Guyon

23 September 2020

Discussing Venetian painters, minimalism and working with virulent pigments, Ollie Guyon shares some insights about his studio practice through a look at one of his painting, 'Britney'.

Look, Know: Alan Uglow

19 May 2020

No amount of theorising alone can validate a work. Yet when analysing Uglow's paintings it's almost as if no amount of theorising can successfully deconstruct his work. As a painter he wanted his paintings to speak for themselves: no theory, no bullshit.

Image: © Tim Ayres

Fugitive Space: PADA Studios

30 October 2019

Looking back on my residency at PADA Studios in Barreiro, Portugal.

Image: © Fiona Grady / PADA Studios

Stillness is the Move: Material and transcendental space in Tess Jaray and Mark Rothko's paintings

2 July 2019

A comparison of the Mark Rothko's chapel paintings and the recent exhibition 'From Outside' by UK abstract painter Tess Jaray.

Image: © Tess Jaray, courtesy of Karsten Schubert, London

Cape Town, I Love You But You're Letting Me Down

15 November 2010

Thoughts on Situationist theory, ambient space, and abstract expressionism. Originally published in 2010 as an essay for the 'I Can Never Sleep on Sundays' exhibition catalogue.

Latent Horizon

1 November 2010

Natasha Norman reflects on the city through nostalgia, dreams and George Chapman's paintings. Originally published in 2010 as an essay for the I Can Never Sleep on Sundays exhibition catalogue.